W100M – 2025 Oscar Movie Marathon Wrap-Up!
We discuss the Oscar Ceremony, the winners, and then dig deep into the Best Picture winner: Anora!
W100M – 2025 Oscar Movie Marathon – Update 2
Our second update for the 2025 Oscar Marathon includes discussions of Emelia Perez, Inside Out 2 and Flow
Watching 100 Movies – 2025 Oscar Marathon Update 1
We updated our marathon progress with deep dives into Dune Part 2, The Substance, Conclave and Wicked!
Spoiler Discussions for:
Dune Part 2: 10:35 – 28:25
The Substance: 28:25 – 43:00
Conclave: 43:00 – 1:02:00
Wicked: 1:02:00 – to the end
Watching 100 Movies – 2025 Oscar Movie Marathon – Kick-Off!
Christiana and Mike begin their annual tradition of seeing as many nominated movies as they can! In this episode, they break down the nominees and then finish with quick discussions of Alien: Romulus and Gladiator II!
W100M – PTA’s Punch-Drunk Love and Inherent Vice
We dig back into Paul Thomas Anderson’s filmography with a discussion of Punch-Drunk Love and Inherent Vice.
W100M – Videogame Movies Then and Now – Mortal Kombat and Tomb Raider
Videogames have been around long enough now for multiple generations of filmakers to try their hand at adapting them. We take a look at two of the franchises that have had more than one bite at the apple: Tomb Raider and Mortal Kombat!
Watching 100 Movies – Rear Window and The Birds
We sit back with a couple of Hitchcock classics that begin and end Hitch’s “peak years”… Rear Window (1954) and The Birds (1963).
Watching 100 Movies – Guardians of the Galaxy Vols. 1-3
We dive into the Guardians of the Galaxy franchise, discussing their arc across the MCU.
Watching 100 Movies – Metropolis (1927) and The Good, The Bad, and The Ugly (1966)
Christiana and Mike discuss a pair of classics, one a silent German scifi that has influenced dozens of filmakers, and the other an iconic spaghetti western. Metropolis, and The Good The Bad and the Ugly.
W100M – Rashomon and The Third Man
Christiana and Mike pull another pair of classics from the Sight & Sound list, Akira Kurosawa’s “Rashomon” (1950), and Carol Reed’s “The Third Man” (1949)
